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Donhwamun Gate, the main gate to Changdeokgung. Originally built in 1412,
this gate dates back to the restoration of 1609, making it about 399 years
old. The tri-color circular symbols painted on the gate underneath the higher
roofline are called sam taegeuk. The red represents heaven, the
blue represents earth, and the yellow represents man. A two-color
taeguk with just red and blue is used prominently in the South Korean
flag, and is often used as a nationalistic symbol.
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Many of the trees inside Changdeokgung are over 300 years old.
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A water canal inside the palace grounds. To take this photo, I was standing
on Geumchongyo Bridge, the oldest stone bridge in Seoul, built in 1411.
It was believed that entering the palace by crossing over flowing water
was auspicious and would prevent harm.
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Injeongmun Gate, the gate leading to the courtyard with the royal throne
building.
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Injeongjeon, the throne hall for the king of Korea. In Korean royal
palaces, the relative importance of a building could be ascertained by
the number of figures decorated the rooflines. Injeongjeon has nine
figures on each roofline, indicating that it is the most important
building in the palace.
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Injeongjeon was the largest and most imposing building in the palace.
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Stone markers in the courtyard in front of Injeongjeon. These stone indicate
where various civil and military courtiers were to stand during official
court ceremonies and affairs of state.
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A stone lion decorating a staircase at Injeongjeon.
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The traditional style and colors of painting on the underside of the roofs in
the royal palace is called dancheong, which literally means "cinnabar
and blue-green" in Korean. Almost all of the palace buildings we visited
were painted in dancheong colors and designs. The chicken wire is
to prevent birds from trying to nest in the roofs.
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More of the dancheong decorations underneath the roof of Injeongjeon.
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The royal throne inside Injeongjeon. A copy of the same royal screen
painting behind the throne would be present at every royal palace in Korea.
The painting features five mountain peaks, the sun, and the moon. The
painting reinforces the idea that the king is central to the connections
between the heaven and the earth and creating a balanced universe.
The screen painting began being used by Joseon kings in the mid-sixteenth
century.
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The European-style electric light chandeliers were added by Emperor Sunjong,
the last monarch of Korea, in 1908.
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Our tour group walking in front of the gated entrance to Heuijeongdang, the
king's residence.
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The gate into Heuijeongdang.
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The blue tile roof of Seonjeongjeon as seen from the courtyard of the king's
residence. This building was used by the king for dealing with state affairs
on a day-to-day basis. The building was most recently rebuilt in 1647 and
is the only building in Changdeokgung with a blue roof.
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Some of the details on the roof of Heuijeongdang. It was difficult to take
a good photo of the entire building, as the courtyard around it was so close.
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The dancheong on Heuijeongdang.
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Details on the tiles topping one of the courtyard walls surrounding
the king's residence.
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The decorative details on the side of the roof of Heuijeongdang include
a repeating swastika pattern common in Buddhist religious symbology.
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Some of the furnishings inside Heuijeongdang. This is representative of
how the residence might have been furnished in the late nineteenth
century or early twentieth century.
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A covered walkway connecting two buildings in the compound of the king's
residence.
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Our tour guide, standing in front of Daejojeon, the queen's residence.
Like Heuijeongdang, it was difficult to photograph the entire building
because of surrounding courtyard buildings.
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Some of the furnishings inside Daejojeon, typical of the final decades of
the Joseon dynasty.
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The dancheong on the underside of the roof of Daejojeon.
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A sundial in the palace.
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This electric light fixture is an example of some of the renovations
made to the palace in 1908 by Emperor Sunjong.
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Our tour guide explains that this basin held water primarily for use in
first response to fires. At the end of the tour, she told us that we
were her first English language guided tour of the palace.
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A corner of Daejojeon, showing some details of the windows, and one of the
chimneys for the underfloor ondol heating system.
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Another covered walkway connecting palace buildings together. Because of the
underfloor heating systems, the ground floor was sometimes several feet
above ground.
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One of the chimneys behind the queen's residence.
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The decorative tile in the chimneys included cranes, fruit, and other
auspicious symbols.
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Many of the buildings in Changdeokgung were close to shade trees like these
pines.
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A major portion of the Changdeokgung palace was Huwon, the "secret garden"
adjacent to the queen's residence, much of which was simply natural woodland
with walking paths.
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Some of the trees in Huwon.
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Two garden pavilions. The one on the left is called Seohyanggak and
the one slightly higher up the hill on the right is Juhamnu. The small
gate in front was locked.
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Some gnarled trees in front of the small gate leading to Seohyanggak Pavilion.
The paint on the pavilion in the background was quite faded and in need
of being restored. On the larger gate, you can see sam taegeuk
symbols.
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Buyongjeong Pavilion, partially extending over Buyongji Pond.
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Buyongjeong Pavilion. This pavilion did not have an underfloor heating
system and would probably not have been used in winter. In the background
is Eosumun Gate.
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This pavilion was called Yeonghwadang. It had a couple of small enclosed
rooms, but was mostly open to the garden.
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Yeonghwadang Pavilion from another angle. This pavilion did have an
underfloor heating system for winter use.
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Seohyanggak Pavilion, as seen across the Buyongji Pond. Our tour stopped
at this pond for fifteen minutes before proceeding.
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Ken and Jen.
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Tom and Ken.
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Jen and Tom. The modern building in the background housed restrooms and
a kiosk selling drinks.
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Some of the palace buildings behind a garden wall.
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Aeryeongjeong Pavilion at Aerjeongji Pond, another pond filled with lotus
plants. To enter the portion of the garden with this pond, we all had
to pass through the Bollomun Gate, whose name translates roughly to
"Longevity Gate".
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A stone staircase on one of the paths through the woods in the Huwon
Garden.
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A wooded hillside inside Huwon Garden.
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Nakseonjae and surrounding outbuildings. Nakseonjae was originally used
as the residence of the crown prince, but the complex of buildings was
renovated in 1847 and used as the personal residence of King Heonjong
(1827-1849, reigned 1834-1849). The small pavilion in the upper left center
of the photo is called Chwiunjeong, and it was built in 1686. Unlike other
parts of the palace, none of these buildings are decorated with
dancheong artwork. This complex of buildings was used as the final
royal household and was occupied by Crown Princess Bangja Lee until her
death in 1989.
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